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Stones In His Pockets
May 31 at 8
June 1-2, 7-9 at 8
June 3 at 3

 

 

 

 

 

 

Shakespeare’s
R & J

 

May 20 at 3pm
May 21 at 8pm

 

 

 

 

 

 

Dignity Players and Bay Theatre are thrilled to announce they will be producing a staged reading of Dustin Lance Black’s new courtroom drama “8″ on Sunday, July 22 at 6:00pm at the

Unitarian Universalist Church of Annapolis. “8″ is co-produced by the American Federation for Equal Rights and Broadway Impact. Dignity Players and Bay Theatre are two of a select group of national schools and theatres to be granted performance rights to this new play about the federal case against proposition 8 in California. Please join us as we join the fight for marriage equality in Maryland. Visit the national website for “8″ to view detailed information on Dignity Players production. General seating tickets for $10 can be purchased now by clicking here. The price includes a reception and Q&A following the performance.

Untitled Document

2011 Season – Masks

 

Doubt
By John Patrick Shanley

 

Directed by

Kathleen Clarke Ruttum

 

With Kelly Armstrong, Jim Gallagher, Tori Kontor, Mary MacLeod

 

In this brilliant and powerful drama, Sister Aloysius, a Bronx school principal, takes matters into her own hands when she suspects the young Father Flynn of improper relations with one of the male students. Winner of the 2005 Pulitzer Prize and Tony Award. “A gripping story of suspicion cast on a priest’s behavior that is less about scandal than about fascinatingly nuanced questions of moral certainty.” – Variety.

 

Director’s Notes

 

When I sat down to write these notes a few weeks ago, I sat down with the intention of relating my experience of directing this show. I was going to tell of the many hours spent in preparation, even before the auditions. I was going to tell about how exciting the audition process was and about the unexpectedly strong showing of talented hopefuls eager to try out. I was going to tell how superb my cast is (they truly are superb) and how incredibly my crew is (they are incredible). I was going to tell a lot of things.

 

But after the events of my life in the past week, all that has changed. Because, you see, I have lived this story.

 

Sure, I had doubts—plenty, as a matter of fact. But not the kind of doubt that Fr. Flynn refers to in his opening monologue. I hadn’t had the crisis of faith, hadn’t known the fall-to-my-knees-and-wail kind of doubt. But now I have…and it scared me. And it made me question everything. And it insisted on my attention. And the more I ran from it, the more it butted me in the head and forced me to spend time really thinking—really thinking—about this life.

 

I agree with the playwright when he says that doubt can be a powerful bond, as strong and sustaining as certainty. In his introduction to the play, John Patrick Shanley writes, “Doubt requires more courage than conviction does, and more energy; because conviction is a resting place and doubt is infinite—it is a passionate exercise.”

 

No matter what your religious background, I hope that you are able to find some aspect of truth in this play. Life is not all black and white and, you know what, I wouldn’t want it to be. I take great comfort in knowing that I am not alone in this journey of life. Even when I feel isolated and alone, I am not so. I hold on to the things that are dear…doubt, being one of them.